Don't Be Afraid of the Dark (+ UltraViolet Digital Copy) [Blu-ray] (2011) review

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Fondly remembered for scaring the Tab out of impressionable viewers, 1973's television movie Don't Be Afraid of the Dark stands today as a minor classic of irrational dream-logic horror, with an ending that goes straight for the worst-case scenario. Despite (or perhaps because of) its wonky effects, minimalist character development, and snicker-worthy Freudisms, it knows how to linger into the wee small hours. Cowriter-producer Guillermo del Toro's mash note of a remake is a superior movie in virtually all aspects, really, yet it somehow fails to ping the same whimpering neurons. Director Troy Nixey's film follows the same basic blueprint as the source material--a fractured family (Guy Pearce, Katie Holmes, and Bailee Madison) moves into a dark old house, only to be tormented by a gaggle of tiny chatterbox demons--but with a much greater emphasis on the mythology and back story of the creatures. Del Toro has long proclaimed his love for the original movie, and it's rather fascinating to see the filmmaker attempt to shoehorn his own trademark obsessions (grim fairy-tale origins, spooky little girls, odd Lovecraftian angles, etc.) into the existing material. Still, such Gothic curlicues, however nifty, ultimately end up diluting the solid-state nightmare fuel of the premise. Aside from a few solid shocks and a strong performance by Holmes, this heartfelt redo is unlikely to have the same lasting effect on audiences as the much cruder original. Instead of focusing on the hows and whys, that one just wanted to freak the viewer out. --Andrew Wright Sally, a young girl, moves to Rhode Island to live with her father and his new girlfriend in the 19th-century mansion they are restoring. While exploring the house, Sally starts to hear voices coming from creatures in the basement whose hidden agenda is to claim her as one of their own.

300 [Blu-ray] (2007) price

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Like Sin City before it, 300 brings Frank Miller and Lynn Varley's graphic novel vividly to life. Gerard Butler (Beowulf and Grendel, The Phantom of the Opera) radiates pure power and charisma as Leonidas, the Grecian king who leads 300 of his fellow Spartans (including David Wenham of The Lord of the Rings, Michael Fassbender, and Andrew Pleavin) into a battle against the overwhelming force of Persian invaders. Their only hope is to neutralize the numerical advantage by confronting the Persians, led by King Xerxes (Rodrigo Santoro), at the narrow strait of Thermopylae. More engaging than Troy, the tepid and somewhat similar epic of ancient Greece, 300 is also comparable to Sin City in that the actors were shot on green screen, then added to digitally created backgrounds. The effort pays off in a strikingly stylized look and huge, sweeping battle scenes. However, it's not as to-the-letter faithful to Miller's source material as Sin City was. The plot is the same, and many of the book's images are represented just about perfectly. But some extra material has been added, including new villains (who would be considered "bosses" if this were a video game, and it often feels like one) and a political subplot involving new characters and a significantly expanded role for the Queen of Sparta (Lena Headey). While this subplot by director Zack Snyder (Dawn of the Dead) and his fellow co-writers does break up the violence, most fans would probably dismiss it as filler if it didn't involve the sexy Headey. Other viewers, of course, will be turned off by the waves of spurting blood, flying body parts, and surging testosterone. (The six-pack abs are also relentless, and the movie has more and less nudity--more female, less male--than the graphic novel.) Still, as a representation of Miller's work and as an ancient-themed action flick with a modern edge, 300 delivers. --David Horiuchi The epic graphic novel by Frank Miller (Sin City) assaults the screen with the blood, thunder and awe of its ferocious visual style faithfully recreated in an intense blend of live-action and CGI animation. Retelling the ancient Battle of Thermopylae, it depicts the titanic clash in which King Leonidas (Gerard Butler) and 300 Spartans fought to the death against Xerxes (Rodrigo Santoro) and his massive Persian army. Experience history at swordpoint. And moviemaking with a cutting edge.

Avatar (Two-Disc Original Theatrical Edition Blu-ray/DVD Combo) (2009) price

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After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to trump all previous sci-fi epics. Set in the future on a distant planet, Avatar spins a simple little parable about greedy colonizers (that would be mankind) messing up the lush tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native people who would very much like to live their peaceful lives without the interference of the visitors. Although he's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the planet and its inhabitants, Jake naturally begins to take a liking to the Na'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn between his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of its point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able to overlook the unsurprising central plot. (The overextended "take that, Michael Bay" final battle sequences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create. --Robert Horton A reluctant hero. An epic journey. A choice between the life he left behind and the incredible new world he’s learned to call home. Return to James Cameron’s Avatar— the greatest adventure of all time. Please note: This edition of the film is not in 3D. Versions of Avatar on Blu-ray, DVD, and Video On Demand Edition Format Release Date Special Features Avatar (Extended Collector's Edition) Three Blu-ray Discs Nov. 16, 2010 Three versions of the movie including the previously unreleased extended cut, plus more than eight hours of bonus features including over 45 minutes of deleted scenes, interactive scene deconstruction, Pandorapedia, documentaries and featurettes, and BD-LIVE content (requires compatible player and Internet connection) Avatar (Extended Collector's Edition) Three DVDs Nov. 16, 2010 Three versions of the movie including the previously unreleased extended cut, plus more than three hours of bonus features including documentaries and over 45 minutes of deleted scenes Avatar (Original Theatrical Edition) Digital Purchase Apr. 22, 2010 None Avatar (Original Theatrical Edition) Digital Rental May 9, 2010 None Avatar (Original Theatrical Edition) Two-disc Blu-ray/ DVD combo Apr. 22, 2010 None Avatar (Original Theatrical Edition) DVD Apr. 22, 2010 None Stills from Avatar (Click for larger image)      

Army of Darkness (Screwhead Edition) [Blu-ray] (1992) review

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A movie that only true horror buffs could love, Army of Darkness is officially part 3 in the wild and wacky Evil Dead trilogy masterminded by the perversely inventive director Sam Raimi, who would later serve as executive producer of the popular syndicated TV series Hercules: The Legendary Journeys. Raimi's favorite actor, Bruce Campbell, returns as Ash (hero of the first two Evil Dead flicks), a hardware-store clerk who is magically transported--along with his beat-up Oldsmobile and a chainsaw attachment for his severed left forearm--to the brutal battlefields of the 14th century. He quickly assumes power (who else in the Middle Ages packs a shotgun and a chainsaw?), and unites his band of medieval knights against the dreaded Army of the Dead. Raimi gleefully subverts almost every horror-movie cliché as he serves up a nonstop parade of blood, gore, and vicious sword-bearing skeletons--an affectionate homage to animator Ray Harryhausen's classic Jason and the Argonauts. The frantic action is fun while it lasts, but even at 80 minutes Army of Darkness nearly wears out its welcome. You know that Raimi can maintain the mayhem for only so long before it grows tiresome, and fortunately this madcap movie quits while it's ahead. --Jeff Shannon All primitive screwheads, listen up! Cult superstar Bruce Campbell (Evil Dead) reunites with director Sam Raimi (Drag Me to Hell, Spider-Man) to battle the deadly forces of evil in Army of Darkness - the outrageous, effects-fueled action epic that will make you scream with fear and laughter. Forced to lead a makeshift Dark Ages army against the demonic Deadites, who possess all the deadly magic of hell, the shotgun-toting, chainsaw-armed, reluctant 20th century time traveler Ash (Campbell) must save the living from the dead, rescue his medieval girlfriend and get back to his own time. One of the most popular horror comedies of all time, now digitally remastered and loaded with bonus features, Army of Darkness Screwhead Edition is drop-dead fun!

Green Lantern (Two-Disc Blu-ray/DVD Combo + UltraViolet Digital Copy) (2011) price

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As far as superheroes go, Green Lantern may lack the clean, iconic lines of his more respectable DC counterparts Superman and Batman, but the very wonkiness of the premise (earthling joins elite force of space cops) lends itself to a pulpy, operatic, not-entirely-serious approach. (One of his teammates is a talking carrot, after all.) Capitalizing on a charming performance by Ryan Reynolds, the feature-film adaptation is a big, messy movie that, at its best, generates a feeling of aw-shucks wonder. Much like Thor, it isn't afraid to loosen up on the inner turmoil of its hero and go macro. Based on comic writer Geoff Johns's retrofitting of the title character, the story follows Hal Jordan (Reynolds), an impulsive test pilot whose encounter with a dying alien leaves him with an energy ring capable of weaponizing his imagination. While struggling to master his will-based powers, he must deal with threats both earthbound (a hilariously nebbishy Peter Saarsgard, who may be the first supervillain to rock a hoodie) and galactic. Martin Campbell, a director who specializes in more down-to-earth heroics (Casino Royale,The Mask of Zorro), brings a pleasing matter-of-fact baseline to the proceedings, an approach that makes the increasingly outlandish effects truly feel special when they occur. Green Lantern has its debits, certainly--the lack of a memorable theme, a second act that hems and haws before getting to the action, the standard origin story shoehorning in too many secondary plots--but its final scenes succeed on a Gigantor, cosmic level where most superhero movies fear to tread. The bigger it goes, the more goofily enjoyable it gets. --Andrew Wright In a universe as vast as it is mysterious, an elite force of protectors for peace and justice has existed for centuries. They are the Green Lantern Corps. When a new enemy called Parallax threatens to destroy the Universe, their fate and the fate of Earth lie in the hands of the Corps' newest recruit, the first human ever selected: Hal Jordan (Ryan Reynolds). Bringing the popular superhero to the big screen for the first time, Green Lantern also stars Blake Lively (Gossip Girl), Peter Sarsgaard (Orphan), Mark Strong (Sherlock Holmes), Academy Award® nominee Angela Bassett* and Academy Award® winner Tim Robbins**.

The Help (Two-Disc Blu-ray/DVD Combo) (2011) price

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There are male viewers who will enjoy The Help, but Mississippi native Tate Taylor aims his adaptation squarely at the female readers who made Kathryn Stockett's novel a bestseller. If the multi-character narrative revolves around race relations in the Kennedy-era South, the perspective belongs to the women. Veteran maid Aibileen (Doubt's Viola Davis in an Oscar-worthy performance) provides the heartfelt narration that brackets the story. A widow devastated by the death of her son, she takes pride in the 17 children she has helped to raise, but she's hardly fulfilled. That changes when Skeeter (Easy A's Emma Stone) returns home after college. Unlike her peers, Skeeter wants to work, so she gets a job as a newspaper columnist. But she really longs to write about Jackson's domestics, so she meets with Aibileen in secret--after much cajoling and the promise of anonymity. When Aibileen's smart-mouthed friend Minny (breakout star Octavia Spencer) breaches her uptight employer's protocol, Hilly (Bryce Dallas Howard) gives her the boot, and she ends up in the employ of local outcast Celia (Jessica Chastain, hilarious and heartbreaking), who can't catch a break due to her dirt-poor origins. After the murder of Medgar Evers, even more maids, Minny among them, bring their stories to Skeeter, leading to a book that scandalizes the town--in a good way. Not since Steel Magnolias has Hollywood produced a Southern woman's picture more likely to produce buckets of tears (and almost as many laughs). --Kathleen C. Fennessy Related Products The Book         The Music More From Kathryn Stockett  More From the Stars of The Help Emma Stone        Viola Davis Bryce Dallas Howard An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the african american maids point of view on the white families they work for and their hardships they go through on a day to day basis. Studio: Buena Vista Home Video Release Date: 12/06/2011 Starring: Emma Stone Viola Davis Run time: 146 minutes Rating: Pg13 Director: Tate Taylor

Batman Begins [Blu-ray] (2008) review

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Batman Begins discards the previous four films in the series and recasts the Caped Crusader as a fearsome avenging angel. That's good news, because the series, which had gotten off to a rousing start under Tim Burton, had gradually dissolved into self-parody by 1997's Batman & Robin. As the title implies, Batman Begins tells the story anew, when Bruce Wayne (Christian Bale) flees Western civilization following the murder of his parents. He is taken in by a mysterious instructor named Ducard (Liam Neeson in another mentor role) and urged to become a ninja in the League of Shadows, but he instead returns to his native Gotham City resolved to end the mob rule that is strangling it. But are there forces even more sinister at hand? Co-written by the team of David S. Goyer (a veteran comic book writer) and director Christopher Nolan (Memento), Batman Begins is a welcome return to the grim and gritty version of the Dark Knight, owing a great debt to the graphic novels that preceded it. It doesn't have the razzle dazzle, or the mass appeal, of Spider-Man 2 (though the Batmobile is cool), and retelling the origin means it starts slowly, like most "first" superhero movies. But it's certainly the best Bat-film since Burton's original, and one of the best superhero movies of its time. Bale cuts a good figure as Batman, intense and dangerous but with some of the lightheartedness Michael Keaton brought to the character. Michael Caine provides much of the film's humor as the family butler, Alfred, and as the love interest, Katie Holmes (Dawson's Creek) is surprisingly believable in her first adult role. Also featuring Gary Oldman as the young police officer Jim Gordon, Morgan Freeman as a Q-like gadgets expert, and Cillian Murphy as the vile Jonathan Crane. --David Horiuchi Batman Begins explores the origins of the Batman legend and the Dark Knight's emergence as a force for good in Gotham. In the wake of his parents' murder, disillusioned industrial heir Bruce Wayne (Christian Bale) travels the world seeking the means to fight injustice and turn fear against those who prey on the fearful. He returns to Gotham and unveils his alter-ego: Batman, a masked crusader who uses his strength, intellect and an array of high tech deceptions to fight the sinister forces that threaten the city.

Braveheart (Sapphire Series) [Blu-ray] (1995) review

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Mel Gibson's Oscar-winning 1995 Braveheart is an impassioned epic about William Wallace, the 13th-century Scottish leader of a popular revolt against England's tyrannical Edward I (Patrick McGoohan). Gibson cannily plays Wallace as a man trying to stay out of history's way until events force his hand, an attribute that instantly resonates with several of the actor's best-known roles, especially Mad Max. The subsequent camaraderie and courage Wallace shares in the field with fellow warriors is pure enough and inspiring enough to bring envy to a viewer, and even as things go wrong for Wallace in the second half, the film does not easily cave in to a somber tone. One of the most impressive elements is the originality with which Gibson films battle scenes, featuring hundreds of extras wielding medieval weapons. After Eisenstein's Alexander Nevsky, Orson Welles's Chimes at Midnight, and even Kenneth Branagh's Henry V, you might think there is little new that could be done in creating scenes of ancient combat; yet Gibson does it. --Tom Keogh Winner of five Academy Awards® including Best Picture, the exhilarating epic Braveheart is one of the most anticipated films on Blu-ray and continues to be beloved by fans and critics alike. The film will be presented in 1080p High Definition with English 5.1 Dolby TrueHD, French 5.1 Dolby Digital and Spanish 5.1 Dolby Digital and English, English SDH, French and Spanish subtitles. Among the more than two hours of new special features to be included on Braveheart are:

Masterpiece Classic: Downton Abbey Season 1 [Blu-ray] review

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An addictive blend of suds and social commentary, ITV's Downton Abbey brings a microcosm of Edwardian society together under one roof. Lord Robert Crawley (Hugh Bonneville) and his family live a life of leisure, while a fleet of servants, including butler Carson (Jim Carter), attend to their every need, but two events conspire to shake things up: the sinking of the Titanic, which claims Crawley's heirs, and the return of his valet, Bates (Brendan Coyle). Since Crawley and Lady Cora (Elizabeth McGovern) have three daughters, his distant solicitor cousin, Matthew (Dan Stevens), becomes heir to the estate. With that, the scheming begins, since Thomas the footman (Rob James-Collier) views Bates as an interloper and Crawley's mother, Violet (Maggie Smith), feels the same way about Matthew's mother, Isobel (Penelope Wilton). In the tradition of the BBC's Upstairs Downstairs and Robert Altman's Gosford Park, for which writer-creator Julian Fellowes received an Academy Award, the royals, servants, and middle-class relations struggle to get along. Sniffs uptight maid Miss O'Brien (Siobhan Finneran), "Gentlemen don't work," but that doesn't stop Mary (Michelle Dockery) and Edith Crawley (Laura Carmichael) from competing for Matthew's affections. Though it takes awhile to warm up to the tightest-wound characters, most everyone reveals their more vulnerable side before the first season comes to an end, and a new small-screen classic is born. The entire sprawling cast is quite wonderful, particularly Bonneville, Carter, and James-Collier, who provide a fascinating study in contrasts (the latter is downright dastardly). Unlike the version that aired on PBS's Masterpiece Classic, this set offers seven parts rather than four. Extras include a featurette, in which cast and crew discuss the production, and an introduction to Hampshire's Highclere Castle, which doubles for Downton Abbey. The first season was a phenomenon in the United Kingdom, and Fellowes has promised a second season set during World War I. --Kathleen C. Fennessy A star-studded cast (Dame Maggie Smith, Hugh Bonneville, Elizabeth McGovern, Brendan Coyle, Dan Stevens) round out the glittering, gossipy, and beguiling men and women of this epic tale! After a tragedy at sea claims the life of the presumed heir, Lord Crawley is faced with the possibility that the house he's loved his whole life might someday belong to a distant cousin he's never met. But before that can happen he must deal with his scandalous daughter, Lady Mary - considered by many to be the rightful heir to Downton. Even the staff has opinions on the family's affairs. And while most are devoted to the Crawleys, there are others whose selfishness and scheming do more than simply disrupt the well-oiled inner workings of the estate. As the servants' mischief escalates, even the most faithful employees begin to imagine a different life. Pitting hundreds of years of British aristocracy against the tides of social upheaval and technical progress, under the looming shadow of World War I, will the fate of Downton and its family - above and below stairs - be resolved? Or will life be altered so dramatically that its master no longer matters?

Downton Abbey: Season 2 (Original U.K. Edition) [Blu-ray] review

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Season 2 of the Emmy® Award-winning Downton Abbey returns as The Great War rages across Europe, and not even the serene Yorkshire countryside is free from its effects. The men and women of Downton are doing their part both on the front lines and the home front, but the intensity of war only serves to inflame the more familiar passions love, loss, blackmail, and betrayal.

Drive (+ UltraViolet Digital Copy) [Blu-ray] (2011) review

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Denmark's Nicolas Winding Refn makes an electrifying return to Hollywood filmmaking with this 1980s-style noir, right down to the synth score and neon-pink credits (he released his American debut, Fear X, in 2003). Ryan Gosling puts his implacable quality to good use as an L.A. stunt driver whose world crumbles when he falls for the wrong woman (Carey Mulligan). Irene is hardly a femme fatale, but her incarcerated husband, Standard (Oscar Isaac), is another story. When her car breaks down, Driver recommends the auto shop where he works with Shannon (Breaking Bad's Bryan Cranston). The two start spending time together, but then Standard returns from prison. Driver keeps his distance until he discovers that Standard owes protection money. If he doesn't pay up, Irene and their son will suffer, so Driver offers to handle the wheel during a heist, a job with which he has more than a little experience, as the riveting opening sequence proves. While they plan their score with Blanche (Mad Men's Christina Hendricks), Shannon makes a deal with a couple of gangsters (Albert Brooks and Ron Perlman), but when the plans collide: all hell breaks loose. In adapting James Sallis's novel, Refn builds to a bittersweet denouement, though the bursts of bloodshed will test even the hardiest of viewers. At its best, though, Drive is every bit as gripping as Reagan-era crime dramas like To Live and Die in L.A. and Thief. --Kathleen C. Fennessy Ryan Gosling stars as a Hollywood stunt driver for movies by day and moonlights as a wheelman for criminals by night. Though a loner by nature, “Driver” can’t help falling in love with his beautiful neighbor Irene (Carey Mulligan), a young mother dragged into a dangerous underworld by the return of her ex-convict husband. After a heist goes wrong, Driver finds himself driving defense for the girl he loves, tailgated by a syndicate of deadly serious criminals (Albert Brooks and Ron Perlman). Soon he realizes the gangsters are after more than the bag of cash and is forced to shift gears and go on the offense.

Puss in Boots (Two-disc Blu-ray/DVD Combo + Digital Copy) (2011) price

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In this fractured fairy tale, Jack and Jill have the magic beans and Humpty Dumpty, with the aid of Kitty Softpaws, convinces his old friend Puss in Boots to help him steal the beans so they can climb the beanstalk to get to the golden eggs. Never mind that Humpty Dumpty and Puss in Boots had a falling out years ago, or that Jack and Jill are completely preoccupied by their squabbling over whether or not to have a child--and regardless that Puss in Boots is a wanted cat who's sworn off his thieving ways, and Kitty Softpaws is a cat burglar who works alone. Comedy abounds in this film, not only in the twists and turns of some classic fairy tales gone awry, but with scenes that range from a litter-box dance fight between crowds of cats to Jack expressing his paternal instincts by strapping on a baby carrier filled with a piglet in a diaper, and, of course, Puss in Boots' crafty use of his famous sad eyes to get just what he wants. The animation is top-notch (especially in the mass cat scenes), the music is compelling, and the voice talents of Antonio Banderas, Salma Hayek, Zack Galifianakis, Billy Bob Thornton, and Amy Sedaris are solid. While considered by some to be a prequel of sorts to the four Shrek films, Puss in Boots is definitely a stand-alone spinoff. What the films do share is a common comedic interpretation of some well-known fairy-tale characters and knack for spinning a funny story that appeals to both kids and adults. While a heightened sense of peril and some extended fight scenes may prove a bit intense for the youngest and most sensitive audience members, Puss in Boots is generally appropriate for ages 7 and older. --Tami Horiuchi Puss in Boots You loved him in Shrek…now see where the one-and-only swashbuckling feline found his fame – and a very big pair of boots – in the “hilariously funny” (Associated Press) animated epic! Lover, fighter and outlaw Puss In Boots (Antonio Banderas) is off on the adventure of his nine lives as he teams up with Kitty Softpaws (Salma Hayek) and Humpty Dumpty (Zach Galifianakis) for the ultimate showdown with the notorious Jack and Jill (Billy Bob Thornton and Amy Sedaris). Here’s the true story of The Cat, The Myth, The Legend – Puss In Boots! Puss in Boots: The Three Diablos As the dust from his latest adventure begins to settle, Puss in Boots finds himself at a crossroads between two destinies – hero and outlaw. When a desperate princess hires Puss to recover her stolen ruby, he is reluctantly partnered with the three little kittens. Adorable. Fuzzy. Deadly. The minute the mittens are off, these Three Diablos wreak havoc on Puss' mission to recover the stolen ruby from the notorious French thief, The Whisperer. Can Puss tame these three little devils in time to recover the ruby? Disc One (Blu-ray) - Puss In Boots movie (HD) - Puss In Boots: The Three Diablos (HD) - Special Features Disc Two (DVD) - Puss in Boots - Digital Copy

Cowboys & Aliens (Blu-ray+DVD+Digital Copy in Blu-ray Packaging) (2011) review

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Cowboys & Aliens fuses rip-snortin' horse opera with some whiz-bang sci-fi, melding dry and austere badlands with slimy, mucusy aliens. Jake Lonergan (Daniel Craig, of James Bond fame) wakes up in the midst of sagebrush with a mysterious gadget around his wrist and no idea who he is--but he sure does remember how to take care of the bounty hunters who want to bring him in. His path soon crosses with a ruthless cattle baron named Woodrow Dolarhyde (Harrison Ford, of Indiana Jones fame), who's not too happy with Lonergan, who got Dolarhyde's son in trouble. But their fracas becomes beside the point when spaceships descend and start lassoing people like cattle. The humans, including a mysterious woman (Olivia Wilde, Tron), a Native American tribe, and some snaggletoothed outlaws, band together to fight off this invasion from another world. The first two-thirds of Cowboys & Aliens is peppy fun, with its tongue-in-cheek Wild West-ness and colorful supporting cast (including Sam Rockwell, Keith Carradine, Paul Dano, and Walton Goggins) and fairly understated CGI. The last third, with the obligatory assault on the alien vessel and a mess of clichés and inconsistencies, deflates a bit, which isn't surprising given that six screenwriters were involved. Director Jon Favreau (Iron Man) does what he can to keep things lively. Fortunately, the good spirits of the first two-thirds will carry most viewers through to the end. --Bret Fetzer Stills from Cowboys & Aliens (Click for larger image) The Old West.. where a lone cowboy leads an uprising against a terror from beyond our world. 1873. Arizona Territory. A stranger with no memory of his past stumbles into the hard desert town of Absolution. The only hint to his history is a mysterious shackle that encircles one wrist. What he discovers is that the people of Absolution don't welcome strangers, and nobody makes a move on its streets unless ordered to do so by the iron-fisted Colonel Dolarhyde (Ford). It's a town that lives in fear. But Absolution is about to experience fear it can scarcely comprehend as the desolate city is attacked by marauders from the sky. Screaming down with breathtaking velocity and blinding lights to abduct the helpless one by one, these monsters challenge everything the residents have ever known. Now, the stranger they rejected is their only hope for salvation. As this gunslinger slowly starts to remember who he is and where he's been, he realizes he holds a secret that could give the town a fighting chance against the alien force. With the help of the elusive traveler Ella (Olivia Wilde), he pulls together a posse comprised of former opponents-townsfolk, Dolarhyde and his boys, outlaws and Apache warriors-all in danger of annihilation. United against a common enemy, they will prepare for an epic showdown for survival.